Interview with Sly Dunbar [Listen 35:51min] -Feelin it, tryin to make it happy with Sly
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S01 Ep09 (part 5 of 5) - Feelin it, tryin to make it happy (you know)
Interview Date: October 23, 2011 @9am EDT
Sly Dunbar as of right now (Continued)
Last week we left off talking about Sly Dunbar’s renowned contributions to Peter Tosh’s band and the Mighty Diamonds first album for Virgin Records “The Right Time” (Virgin Records 1976). But this amazing outpouring was just the beginning of what was to become a string of groundbreaking albums from this innovative and influential man.
“Two Seven Clash” was yet another phenominal album by him and a band called Culture; both aiding in and revolutionizing UK music; helping to bring upon the reggae/punk culture which defined an era and shaped its music. This was one of the main albums that was known to have been an inspiration at the time for bands like ‘The Clash’ and ‘The Rolling Stones’ (who were motivated by and borrowed heavily from these reggae beats). When I asked Sly about recording with Culture on “Two Seven Clash” he said:
“[it] Was done a Joe Gibbs studio when
Interview with Sly Dunbar (Part 4 of 5)[Listen 19:21 min] -Really Going for it with Sly Dunbar
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S01 Ep09 (Part4 of 5) - Really Going For it with Sly Dunbar
Interview Date: October 23, 2011 @9am EDT
Sly Dunbar as of right now
They say that Reggae is all about the beat. If that’s the case then Lowell “Sly” Dunbar (and his partner in crime Robbie Shakespeare) are quite possibly, two of the most important people in all the history of Jamaican music. Sly Dunbar has been innovating and altering drum patterns, taking his inspiration and ideas from the world around him, refining and redefining what Jamaican music is and what it is “supposed to” sound like. With over 200 000 recordings (100 Number one hits in Jamaica alone), Dunbar has been and continues to be a person setting down the music foundation for the next generation to follow. He is a man constantly exploring; contributing to some of the Islands most important Reggae albums (and other forms of Jamaican music) as well as artists from around the globe.
Starting professionally at age 15, Sly Dunbar first entered the studio with Ansell Collins; starting off creating “Night Doctor” (for Lee Perry and the Upsetters) and then followed